The Noun Project

May 20th, 2013

IconLocal Independent Iconathon workshops

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Since launching Iconathons two years ago, we’ve heard requests from people around the world wanting to host their own design events.  We’re excited to introduce IconLocals - independently organized Iconathon workshops held on a local community level.  The Noun Project created IconLocals to allow independent organizations and civic minded people to host self-organized workshops.  We believe this will help spread the social design movement around the world.

IconLocals are a great opportunity to host an event around a civic topic you’re passionate about.  But just like with any event, organizing an IconLocal requires a time commitment and hard work.  You’ll want to make sure the participants attend an interesting and insightful event, and the symbols created communicate their intended concept elegantly.  

To help you get started, we’ve created an application questionnaire that will take you through some of the important points to think about when considering hosting an IconLocal.  Once we know you’re committed to hosting an exciting event on an important topic, we will provide you with guidance and materials to help organize & promote your workshop. We look forward to working with you and announcing the new events on Iconathon.org.

Check out our new IconLocal page at Iconathon.org to get started! #IconLocal

*Image of Istanbul copyright by Moyan Brenn

May 13th, 2013

Cultural Heritage Iconathon

The Noun Project is excited to announce a new Iconathon on Cultural Heritage, sponsored by the Metropolitan New York Library Council (METRO).  

Iconathons are organized to engage the general public in the design process, so no design or art skills are necessary – all are welcome to participate.  The Iconathon is free to attend but tickets are limited, please RSVP.

“Institutions like libraries, archives and museums serve an essential function in providing access to knowledge, documenting and preserving history, and supporting the civic and cultural needs of their communities – communities often speaking a wide range of languages. A set of public domain icons will enable these cultural organizations to communicate better with patrons and elegantly and clearly visualize the breadth of services, activities, and collections they support and the vital role they play in society,” said Jefferson Bailey, Strategic Initiatives Manager, Metropolitan New York Library Council.

The icons created will be released into the public domain to be used in signage and interactives, as well as to illustrate on-site services, Web pages, online catalogs, mobile applications, and to identify and symbolize many of the other offerings of cultural heritage organizations.

Event Details:

When: Saturday, June 1st from 10:30am to 3:30pm

Where: Metropolitan New York Library Council at 57 E. 11th St, 4th Floor, New York, NY 10003

RSVP: Seating is limited, RSVP for free tickets.

 

*Image of the New York Public Library by stephs_photos

May 8th, 2013

What might an icon for “encyclopedia-worthy” look like? An update from the Wikimedia Iconathon

Posted by , Interaction Designer - Wikimedia Foundation.

Symbols serve as some of the best tools to overcome language and cultural communication barriers. The aim of the first Wikipedia Iconathon was to create a set of graphic symbols that convey vital concepts to editors and readers of the world’s largest free, collaborative encyclopedia. The Wikimedia Foundation design team organized the event with The Noun Project, with support from Muji in the form of sketch materials. This is a brief update from the design team, as we work on digitalizing the first iteration of icons from the event.
On a rainy Saturday morning, 6 April 2013, the mood among visitors at the Wikimedia Foundation office was upbeat and determined. Educators, volunteers, civic leaders, typographers, designers and Wikipedia editors joined us and Noun Project staff, coming together to collaborate on a set of 20 icons that represent key Wikipedia terms and concepts.
We began by discussing the core challenges of creating this visual language. First, it needed to work across 330 languages. Second, we had to avoid local concepts or metaphors — such as hand gestures, animals, and local humor — that people from other regions may not be familiar with. If icons conveyed directionality, they would have to be adapted for different writing directions, such as right-to-left languages like Hebrew or Arabic. To preserve cross-cultural understanding, it was critical that we come up with a universal representation, regardless of whether the reader is from Germany, India, or Botswana.
After the general discussion of our objectives, we formed groups and looked closely at our assignment. The concepts we needed to visualize ranged from being self contained, such as “rapidly changing article,” to systems like “anonymous” and “registered” users, “administrator,” and “bots.” Participants unanimously considered abstract concepts like “encyclopedia-worthy” and “no original research” to be the most challenging icons.
As the groups discussed each icon and got to sketching, Wikipedians provided context for the symbols as, answering questions like the following (among many others):
    • Is there more than one context of use for the icon?
    • Does it convey status or trigger action?
    • Should it invite inquiry or is it an entry point when a user scans a list?

We were committed to getting it right, even if it meant pulling out laptops to look at all the sample interface elements. We didn’t expect to get into the thick of interaction and behavior, but it helped align the team on tone, detail and playfulness.

 

After a few hours, we collected the sketches and pinned them to whiteboards around the room. Edward Boatman (co-founder of The Noun Project) moderated an intense group discussion.  Experienced editors helped evaluate concepts in the unique Wikipedia way of community-driven decision-making. We identified patterns across sketches and focused on connotations. For example, anonymous users don’t occupy a persistent identity, but they are an important part of the community, so a negative undertone was inappropriate.

We hope to expand the audience of participants to work with the remaining concepts and enable more people  to submit their ideas for Wikipedia icons. Given that The Noun Project receives more than 300 icon submissions a day from graphic designers, we’re confident we can leverage their network and their experience to develop engaging icons that are useful for Wikimedia projects.

Currently, we are digitizing the first set of icons that participants in the Iconathon collaboratively selected from our sketch stack. The next step, which we are really excited about, is socializing the icons with the Wikimedia community and getting them to respond and iterate on the concepts that we put forth.

Feel free to join the conversation on-wiki or in the comments, and stay tuned here for future updates. You can view more photos of the event on Commons here and on Flickr here.

 
Copyright notes: All photos by Matthew Roth licensed under CC-BY-SA 3.0 Unported, from Wikimedia Commons., All photos by Sofya Polyakov of The Noun Project licensed CC-BY Generic 2.0 from Flickr.
May 6th, 2013

Icons by Hour

For our latest blog post the talented designer Joe Harrison explains his project that connects iconography and the passage of time. 


Posted by Noun Project contributor Joe Harrison.

Self-initiated projects have always been an important creative outlet for me. Like most 20-something graphic designers currently living and working in London, I often crave an escape from commercial realities. I’ve worked for a handful of different creative agencies, and have constantly needed a channel for my own personal ideas to develop. Creating things has always come quite naturally to me. I was brought up in Wales, UK, and would spend the majority of my spare time meticulously sketching everyday objects, copying logos and drawing typefaces. I come from a family of 4 brothers, all of which are in the creative sector now. This confirms that my decision to become a designer is inherit. Patience for our craft is a trait which we all posses, and I think we’re all lucky to have the secret of enjoying what we do. It’s what drives my self-initiated projects.

Icons by Hour is a self-initiated project exploring iconography in relation to time. The aim of the project was to give myself a launchpad that would enable me to document everyday objects and actions whilst refining my craft in icon design. The concept of the project is based on chronology; each minute of the day is represented by an icon contextual to that specific time. Although quite subjective, this concept allows the icons to form a narrative, giving a flow that represents a day in the life minute by minute. 

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At the start of the project, I set myself very strict rules to maintain consistency. Each Icon was to be created only using strokes, with a single colour and weight, and had to be represented in as simple way a possible. I wanted each icon to work at a variety of scales, so picking the appropriate stroke thickness was key. From here, my process was straight forward: think of an object or action that would happen during that minute of the day, and visualise it on a small gridded canvas. Often the process would be rapid, almost instinctual, with no sketching required. I have found that usually the most successful icon ideas can be visualised almost instantly, whilst the simplification and refinement take time. After selecting from several iterations, I would then craft each icon through thoughtful reduction to try to find the perfect balance between minimalism and iconicism. 

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For some icons following this process was very easy. For example an alarm clock is an icon which can be simplified effortlessly without reducing its communicative power. For others, such as an electric shaver or a keyboard, it was more challenging to find that balance. Removing texture and intricate detail forces you to think much more about the instant impression which a symbol delivers. The project has changed the way I perceive symbols around me - it has provided me with a constant brain exercise to envision physical things as simple symbols in every day environments.

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What also interests me are the social and contextual variables which you need to take into consideration when designing icons. You could argue that the collection would be comprehended better by to a designer living in london, as the icons were created through my personal visual representation of a particular object or action. To strengthen the project further, interrogating each icon by travelling to different cities and comparing what you see on a day to day basis would help to come up with a universally understood set of icons that go beyond cultural polarity.

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To showcase the Icons by Hour collection and give myself a future-proof framework for new icons, I created a small responsive website purely from svg files. I think the beauty of this type of project is that it’s completely scalable. I intend to continue crafting icons for the remaining minutes of each hour, maintaining the consistent style and narrative that makes the project feel unique.

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All of Joe’s amazing symbols can be downloaded on The Noun Project

Link to Icons by Hour website

Twitter @joe_harrison

April 29th, 2013

Symbol Challenge: Augmented Reality

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Photo credit: Antonia Zugaldia

How would you design a symbol that visually communicates the concept of augmented reality? That is the question we are asking in our very first ‘Symbol Challenge’.  Symbol Challenge is a new initiative designed to inspire creatives around the world by posting new concepts that need to be “iconifed”. Very similar to what we have done with our Iconathons, we want to focus the talents of The Noun Project community around subjects and topics that need to be visually communicated. These topics will range from current events, to emerging technologies, and even social commentary. Once the design brief is posted, designers from around the world will have two weeks to submit symbols representing the topic. You can also suggest new Symbol Challenge topics by tweeting @nounproject with #SymbolChallenge.

Augmented Reality was selected as our first Symbol Challenge because it is an emerging technology that has the potential to disrupt so many industries.  An augmented reality symbol that is universally accepted and understood could be valuable to both manufacturers and consumers. 

According to Wikipedia, “Augmented reality (AR) is a live, direct or indirect, view of a physical, real-world environment whose elements are augmented by computer-generated sensory input such as sound, video, graphics or GPS data.” It is a technology that essentially enhances one’s perception of reality. This type of technology can be integrated into hand held devices, projection monitors, and wearable devices, like Google’s new product Google Glass.

Augmented reality has the potential to revolutionize many facets of our lives. Imagine being able to look at a meal and automatically know whether it is gluten free or not. One can look at the food inside their fridge and be informed of what is expired, without taking the risk of sniffing spoiled milk or eating spoiled food. Or imagine being able to look at a person on the street and automatically knowing their name (talk about invasion of privacy). These are just a few basic examples of how augmented reality has the potential to change our lives, but the possibilities are endless.

To help get the discussion started, we offered up our own solution for an augmented reality icon. We started the process by researching the essential elements of AR. One of the main aspects that guided our design is the notion of perception. Although augmented reality utilizes many sensory inputs, visual manipulation is the most prominent feature of this technology. Because of this we felt it was appropriate to use the shape of an eye  as one of our main design elements. We decided to not base the design on any piece of current A.R. hardware because this technology is going to rapidly evolve. We did not want to run the risk of the design becoming irrelevant similar to the floppy disk representing “save.”

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Our research also showed that augmented reality combines the layering of real environments with virtual information. For this reason we used two eyes to represent both the real and virtual worlds. Next, we aimed to visually communicate how these two ways of seeing are layered to create an augmented view. The concept of a Venn Diagram was used to portray this layering. When the two eyes overlap a new eye is created, which represents the new augmented reality. 

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Classical proportions were used when creating the geometry of the design. Each eye is scaled to fit within the proportions of the Golden Rectangle - a historical ratio that is aesthetically pleasing. We also used different line weights within the design to create depth and make the icon more visually compelling. image

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Now that you understand our thought process behind designing this icon, we would love to see your solution. We challenge you to iconify the concept of augmented reality!

Please submit your designs to The Noun Project by Monday, May 13th. We are excited to see what you come up with. The icon above can be downloaded here.

April 15th, 2013

Investigative Journalism Icons now Available

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Superpacks. Drones. Gerrymandering. Dark Money. How do you quickly illustrate these concepts in a way that is meaningful and impactful to an audience of different education levels and cultural backgrounds?  That was the challenge set out before a group of 60 volunteers at an Iconathon The Noun Project hosted at The New York Times back in February.  Journalists, editors, graphic designers, web developers and engaged citizens brainstormed and sketched ideas for icons frequently needed throughout news editorials and applications.  The goal of creating these symbols is to help guide readers through the in-depth stories investigative journalists help uncover, to provide a graphical shorthand that helps navigate readers through complicated concepts, as well as to help illustrate infographics that help people better understand important facts and correlations.

The final set of 22 Investigative Journalism symbols are now included in the Iconathon suite and available for anyone to use as public domain.  We’d like to thank all the attendees who participated in the Iconathon, The New York Times for hosting us in their space, Knight-Mozilla OpenNews for sponsoring, and ProPublica and Hacks/Hackers NYC for being vital partners in organizing this event.

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March 27th, 2013

Civic Hacking Symbols now Available

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Just over a month ago we teamed up with Code for America’s Brigade and The LAB Miami to host an Iconathon around Civic Hacking.  Our goal was to create symbols frequently needed by civic hackers when developing new civic apps and websites.  The design workshop was held in The LAB Miami’s newly opened collaborative space that supports social innovation and entrepreneurship.  Thanks to the diligent work of the Iconathon participants, and generous support of the John S. and James L. Knight Foundation, the symbols are now available for free download as public domain!

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March 19th, 2013

Visualizing Big Ideas Collection by (mt) now available!

Everyone knows how it feels when a big idea is generated in your mind. Exhilarating, thrilling, and exciting are all words to describe that feeling of breakthrough and discovery.  But how would you visualize this feeling? What does the generation of a big bold idea look like?  

The Noun Project teamed up with our favorite web hosting provider, (mt) Media Temple, to host an Iconathon during SXSW to answer this question.  During a 2 hour brainstorm session, Iconathon participants sketched designs that visually communicate what they feel like when they have a big idea.  Below is one of the sketches behind the “heel-click”.

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We narrowed down all the sketches to 6 final concepts.  The Big Ideas collection is now available as public domain for free download, thanks to (mt) Media Temple.

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Our team got really excited over the heel-click finger-in-the-air dude.  So we had a little contest to see who can do it better, turns out it’s much harder than it looks!

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Think you can do it?  Take a photo or Vine video of yourself clicking your heels together with your finger in the air and post it to Instagram, Twitter, or Vine with the tag #MTBigIdea.  Our favorite photo or video wins a whole year of free hosting on (mt) and an awesome (mt) swag pack!

Happy downloading (and heel-clicking)!

March 12th, 2013

The Visual Language of Wikipedia Iconathon in San Francisco

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How do you navigate 500 million unique visitors from different countries across a reference site available in 285 languages?  With over 25 million collaboratively written and edited articles, Wikipedia sets the standard for building user experiences that cross cultural and language differences.  To help in this effort, The Noun Project is hosting an Iconathon design workshop sponsored by the Wikimedia Foundation, the non-profit that operates Wikipedia and its sister sites, to create a set of public domain navigation, editing, feedback and expression symbols that can be used not only by Wikipedia editors, but anyone on the internet, for free.

The Iconathon will bring together designers, students, civic activists, and Wikipedia-enthusiasts for a day-long workshop focused around creating symbols for best user-comprehension.  The Noun Project organizes Iconathons to engage the public in the design process, so no art or design skills are necessary to participate.

The open nature of Wikipedia has served as an inspiration for The Noun Project to provide a platform for a visual language anyone can use to communicate.  Given the extensive usage of Wikipedia by people from around the world, we are thrilled to collaborate with the Wikimedia Foundation on adding navigation focused symbols to the public domain. 

Event Details:

When: Saturday, April 6th from 10:30am to 4:00pm

Where: Wikimedia Foundation at 149 New Montgomery Street, San Francisco, CA 94105

RSVP: Seating is limited. RSVP for free tickets.

March 7th, 2013

Investigative Journalism Iconathon The New York Times

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A couple weeks ago we ventured to New York City for an Iconathon at The New York Times building - a suitable venue for creating symbols around the theme of Investigative Journalism.  Our goal for this Iconathon was to make symbols that will help visualize information and data in the news, as well as create symbols that can be used by reporters to discuss current events. A mix of journalists, editors, graphic designers, web developers and civic-minded participants volunteered their Saturday to help accomplish this goal. 

Chrys Wu (Hacks/Hackers NYC), Scott Klein (Editor of News Applications at ProPublica), and Matt Ericson (Deputy Graphics Editor at The New York Times) started off the day with insightful presentations on how symbols help to share information with the public through new age journalism. In today’s digital era, symbols are frequently used on mobile news apps and interactive websites to effectively communicate information about current events in politics, government, environment, technology, etc.  Given the abundance and depth of information for a lot of these topics, visual graphics help tell these stories in a way that is easy for anyone to understand. 

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(Presentation by Matt Ericson from The New York Times)

After the presentations we split into teams and generated ideas for concepts like Gerrymandering, Wire Tap, Fracking, Dark Money, Abuse of Power, and Drone. 
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We ended the day with a group critique to discuss which ideas were the most successful at illustrating each concept. The open discussion allowed everyone to compare sketches and work in a collaborative effort to choose the most comprehensive symbols. The best ideas from each topic will soon be transformed from rough sketches into graphic icons that will be free to download as public domain. 

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A huge thanks to all of the volunteers who participated, The New York Times for sharing their phenomenal space with us, Knight-Mozilla OpenNews for sponsoring, and ProPublica and Hacks/Hackers NYC for helping to organize the event!

More photos from the Iconathon are on Flickr.

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