As some of you may have noticed, this past week we released a few new features to the site.  These updates allow users to see the most popular symbols, watch real-time downloads, and browse through recent submissions.  You may have also noticed that we have a new landing page featuring the Noun Collection.

The Noun Collection consists of the symbols we feel best communicate the objects or concepts they are representing, while at the same time exhibit a high level of design skill and execution.

Below are some symbols that have been recently submitted and added to the Noun Collection.  The common theme between these symbols is they are clear, concise, and beautifully designed.

This symbol designed by Christopher T. Howlett is simple, bold, and beautiful.  The triangle shapes in the diamond create a pleasing geometric pattern and really add to the user comprehension of the symbol.

This translation symbol by Geremy Good does a great job of taking a complex concept and reducing it down to its core elements or characteristics.  By looking at the symbol one can gather a variety of information very quickly and efficiently. 

The Sardine symbol designed by Jakub Ukrop is descriptive and fun.  The fact that the fish are elongated to match the shape of an actual sardine is a really nice touch.  Also showing the top of the metal can rolled back gives the symbol more clarity.

The Kiwi symbol designed by Mike Harding is intriguing and educational.  The first time I saw this symbol, my curiosity was piqued. I immediately went to Wikipedia and did some research.  After seeing pictures of the actual bird I was impressed with how well Mike’s symbol captured the “essence” of the bird.  The long beak, large feat, and unique proportion between the head and body are all rendered beautifully. Nice work Mike!

This Silverware symbol designed by Scott Lewis is very well executed.  Anyone who has tried to draw a spoon or fork before knows it is not an easy task.  The subtle soft curves of the objects are difficult to elegantly capture.  I’m also really impressed with the negative space between the symbols, the lines are beautiful.

The Factory symbol designed by Adrijan Karavdic has an aggressive visual presence, that I feel is very appropriate.  The diagonal lines of the roof not only speak to an architectural feature of many factories, but it also creates movement and dynamism in the design that is representative of the processes that take place inside.

We think all of the above symbols are great examples of the level and quality of design The Noun Project is looking for.  Thanks again to the above designers and all of our community who is helping to share, celebrate, and enhance the world’s visual language.